Twitter

December 26, 2010 by  
Filed under Twitter News

Twitter, which was made by a 10-person startup in San Francisco called Obvious, is a heady mixture of messaging, social networking, “microblogging” and something called “presence,” shorthand for the thought that people should delight in an “always on” virtual omnipresence.

Twitter’s rapid growth made it the object of intense interest and a honest amount of ridicule, as it was derided as high-tech trivia or the latest in time-wasting devices. But its use in Iran in the wake of the disputed presidential election of June 2009 to organize protests and disseminate information in the face of a news media crackdown brought it new respect.

“Twitterers” or “tweeters” send and receive small messages, called “tweets,” on Twitter’s Web site, with instant messaging software, or with mobile phones.

When a user is logged in through the Web or a cellphone, it questions one simple question, “What are you doing?” Users answer in 140 characters or fewer. While some of these tweets have the profundity of haiku, most are mundane, like “Sure is pretty out tonight” or “My eyes itch. I am very aggravated.”

Unlike most text messages, tweets are routed among networks of friends. Strangers, called “followers,” can also choose to receive the tweets of people they find fascinating.

In April 2010, Twitter rolled out a much-anticipated plot for making money from advertising, finally answering the question of how the company expects to turn its exponential growth into revenue.

The advertising program, which Twitter calls Promoted Tweets, will show up when Twitter users search for keywords that the advertisers have bought to link to their ads. Later, Twitter plans to show promoted posts in the stream of Twitter posts, based on how relevant they might be to a particular user.

In its small history, Twitter has become an vital marketing tool for celebrities, politicians and businesses, promising a level of intimacy never before approached online, as well as giving the public the ability to speak directly to people and institutions once comfortably on a pedestal.

But someone has to do all that writing, even if each entry is barely a sentence long. In many cases, celebrities and their handlers have turned to outside writers – ghost Twitterers, who keep fans updated on the latest twists and turns, often in the star’s own voice.

It is not only celebrities who are forced to look to a team to produce real-time commentary on daily activities, but also politicians like Ron Paul, who have assigned staff members to make Twitter posts and Facebook personas. Barack Obama’s presidential campaign used Twitter, Facebook and YouTube.

In 2009, people in Iran and Moldova made their own searchable tags on Twitter to organize protests against their governments and share information with each other and the world. In April, Moldovans used the network to rally more than 10,000 young people against their country’s Communist leadership. And in June, Iranian opposition supporters mad over presidential election results used Twitter and other forms of new media to share news on rallies, police crackdowns on protesters, and analysis.

With the authorities blocking text-messaging on cellphones, Twitter has become a handy alternative for information-hungry Iranians. While Iran has also tried to block Twitter posts, Iranians are skilled at using proxy sites or other methods to circumvent the official barriers.

In a notable moment during the Iranian protests,  State Department official e-mailed Twitter to request a delay in scheduled maintenance of its global network, which would have cut off service while Iranians were using Twitter to swap information and inform the outside world about the mushrooming protests around Tehran.

Twitter complied with the request and briefly postponed its upgrade. The episode demonstrated the extent to which the Obama administration views social networking as a new diplomatic tool. Secretary of State Hillary Rodham Clinton talks regularly about the power of e-diplomacy, particularly in places where the mass media are repressed.

The New York Times


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